African american spirituals and the camp meetings series they bear acquaintance looks at this discussion through the output of various well regarded researchers from the twentieth century the effects of cultural distinctions immigration patterns and class structure have all left their imprint on the anatomy of the music description . The white spiritual genre though far less well recognized than its negro spiritual cousin encompasses the folk hymn the religious ballad and the camp meeting spiritual white spirituals share symbolism some musical elements and somewhat of a common origin with african american spirituals. Chapter 3 and 4 study play camp meeting songs negro spirituals stylized versions of revival hymns evangelist dwight moody and musician ira sankey were successful in combining music and preaching at revival meetings african american folk music a revival is defined as. Academiaedu is a place to share and follow research
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